She tears into the centre of the action here amid textures of reeds, flutes, and piano, and holds the centre as lead instrumentalist—no lyrics, just new ideas pouring out of them all from Derome on down. He exulted in cataloguing the most trivial and quotidian of details ; a list of all the food eaten in one year, or 12 ways to arrange books or, most importantly for Jean Derome, his memories of jazz musicians and popular music.
This is the source-point for a series of superbly executed pastiches of the musical styles and musicians mentioned and, very properly, each track title comes with a bst detailing the dedicatee, the source of the pastiche, salient facts, and the relevant text. An evocation of Sidney Bechet is particularly accurate and beguiling. The ensemble brings a joyous verve to these eclectic nuggets ; their playing combines a whiff of jazz with a hint of both avant-garde and popular European forms.
Manual Je me souviens aussi (polititedisch.tkle) (French Edition)
Fortunately, these short pieces are no more serious than the composed works of Je me souviens , though their spontaneity gives the whole CD an interesting balance. Set your player on shuffle for maximum unpredictability ; this is a wonderful album. Presque tout y est dans ce pastiche multicolore, sauf Ravel. His book Je me souviens I Remember is made up entirely of lists of remembrances, from trivial shopping lists to abstract musings. The vamps, themes, and snippets are thrown to the mixmaster of a band and set on high. The result sounds like a wander down a carnival midway presided over by a mad postmodern ringmaster.
One minute they chew up a Mariachi ramble, and the next they are grooving on a surf rock riff. The recording captures studio banter as the group picks up an idea, tosses it around, cracks up, and then heads off to the next thing.
These improvisations are full of spontaneous energy as the twelve musicians play tag team. With just the barest of implied structure, the players plunge in and out of the evolving soundscapes. Vocal swoops, percussive chatter, and squiggling reeds weave around sampled scraps, and turntable collage.
That said, there is plenty of evidence of fun and challenging engagement as the improvisation flows between moods, textures, and sonic densities. There were plenty of good solo moments from the three saxophonists —Derome, Frank Lozano and Robert Lepage—but the most surprising performer was turntable artist record player?
In the press
His remarkable sound effects and distortions of old recordings were among the wittiest and most virtuosic elements in the performance. His preferences, coincidentally, included jazz and Mahler, or so it says in the insert notes. The musicians seem to be having fun as they move expertly from jazz through rock to pop and back again, sometimes with a hint of zaniness or exaggeration.
Proust for the ears?
The book "Je me souviens?"
Worth nibbling on. Fallait le faire, non? Le projet fut. Comme un ensemble classique.
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